This post is for those who already want to go raw. I don't mean to push this diet on anybody.
So you want to go raw? Here a few things that could help you.
A conscious decision
I already stressed the importance of clarity in my previous post. Please go back and ask yourself all the questions I listed there in the paragraph about clarity. Write the answers down. Take some time to think it through.
If you still want to go raw, make the conscious decision to do so, no matter how difficult it could get. I'm saying this because when you get cravings it's easy to fall back, unless you remember that you once very consciously chose to go this path no matter how difficult it could get. If your decision sounds like "I will go raw! Well, unless it becomes painful... " this won't help you much. Don't leave any backdoors open for you to escape your decision in case it gets uncomfortable.
If such a commitment sounds too radical to you, set a time limit for your raw trial. You don't have to go raw at all costs and forever now. You can choose to try it out for thirty days. Or for ten days or even for just two days. The time amount doesn't matter, but decide on it before you start. And then, for this amount of time, stay committed to your decision - no matter how difficult it could get.
A good preparation
Going raw isn't easy. You'll have to overcome a strong, daily habit. You'll have to deal with a lot of social pressure. Always having something raw to eat at hand also requires organization. Not to forget that some substances in cooked foods are highly addictive. Breaking an addiction can get tough, and you'll be surrounded with temptations everywhere. For me personally, going raw was more difficult than quitting smoking.
That's why I think it's important to prepare oneself very well before going raw, not just jump into it spontaneously. Choose a date a few weeks ahead and prepare yourself during this time. Victoria Boutenko recommends drinking green smoothies every day for several weeks before going raw, to give the body nutrients and avoid too severe cravings later. I didn't do that, but maybe it's a good idea.
Here a few more things you can do before D-Day:
A written plan
Making a written plan has helped me tremendously. I found it much easier to go raw when seeing it as a game, or war. Your goal is to beat your opponent! Prepare yourself for the battle. Develop your strategies on paper!
In case you are overweight, you will lose weight. Are you prepared for such an eventuality? Write down what you will do about your weight loss. About new clothes you'll need. About how you will deal with comments from others. Such things. Write everything down.
You're very likely to experience a noticeable energy increase when you go raw. What will you do with this excess energy? You need to find an outlet for it just in case, or else it could overwhelm you so much that you'll return to cooked foods just to stop feeling uncomfortable. Can you think of something you're dreaming of doing but hadn't enough energy to do until now? Or maybe exercising more? Or starting a new creative activity? Find out what you would do with more energy, and write that down, too.
Now the main part of the battle plan:
Observe yourself for a few days and write down what you eat, when you eat it, and why. Don't judge your eating habits, just analyze them.
Based on this, imagine all kinds of situations in which you normally would eat cooked foods, or might feel like eating something even though you're not really hungry, or might get a craving.
Then, for each one of these situations, imagine what you will do in such a moment, instead of eating something cooked. It can be eating raw food if you're being hungry, but it can also be something completely different from eating, like going for a walk, performing ten push-ups or cleansing your chakras. Just pick something that makes sense in that precise situation and keeps you occupied. Write everything down.
Visualizations
Practice visualizing these situations and your desired reaction every day before going raw (but not while you are in those situations themselves). After going raw, when you're in one of the listed situations, all you'll need to do is to apply your great plan. You'll already be conditioned to have your desired reaction. It makes it much easier!
Also visualize your life and yourself as a raw fooder regularly before going raw, as if it were now. What are you wearing, doing, feeling, being, looking like? Imagine everything in details. Here it's helpful to use this emotional main reason for going raw I talked about in my previous post. What's the emotion you're aiming at creating? How do you hope to feel once you've gone raw for this particular reason? Healthy? Balanced? Free? Light? Proud? Productive? When you're visualizing, concentrate on feeling this emotion as if it were already present in your life now.
Support and information
It helps to talk to other raw fooders, to get involved in a raw forum, to join a raw community, to read books about raw foods, etc. Go search for resources on the net. Your intuition will guide you.
Also surround yourself with supportive people in real life. Ask your family/friends to help you. Avoid people who discourage you.
Build a favorable environment for your upcoming shift already before actually making this shift.
When D-Day has come, throw all cooked foods, pots and pans out! And jump into the Unknown. What might help you after D-Day is:
Overeating
When you go raw you'll probably get a strange feeling of lightness that you're not used to. Like your stomach is empty, even when you're not hungry. This is strange enough! If you let yourself be hungry on top of that, you'll get cravings for heavy cooked things. Eating really really A LOT in the first few weeks helps. Don't worry, as time goes by you'll end up eating less anyway.
EFT
Do you already know EFT? It's an awesome technique to deal with unpleasant emotions and/or physical pain. It's often used to treat phobias or cravings. In case you get extremely strong cravings, it could be worth learning EFT and applying it to your cravings. You can find an easy tutorial for beginners (as well as many other resources) on this site.
A few failures
Bitterly failing a few times is extremely useful. I know this sounds like a contradiction to what I said above about leaving no backdoor open. But it's not. If you are fully committed and fail, you'll learn a lot out of it.
My first trial in November 2007 lasted only one week. It showed me that I feel much better on raw foods but that it's not easy. I also learned that eating raw grains is not a good idea for me! My second trial in January 2008 taught me that I had a disempowering mindset. I broke off after two weeks to fix my mindset, which took me a few months. In April, I started trial #3, this time feeling absolutely ready and firmly committed to go raw forever. Nevertheless, I wasn't able to stay 100% raw all the time. I experienced a few disappointing set-backs, and after exactly three months I had to take a break because I couldn't stand losing weight that fast. It taught me that I had unresolved issues that I needed to address first. It also taught me how addictive cooked food really is.
Failing is part of the learning process. You won't learn much if you're not truly committed to your new decision though. Be willing to fail, and give your best to succeed!
Hope this helps a little bit. Good luck :-)
jueves, 4 de septiembre de 2008
lunes, 1 de septiembre de 2008
Does it take self-discipline to go raw?
No, it doesn't.
I completely lack self-discipline. I hate self-discipline. If it took self-discipline to go raw, I'd never have done it.
So what does it take to go raw?
Clarity
Most of all, clarity, clarity, and clarity. If you want to go raw, it really helps to know exactly what you want, why you want it, who you are and what this diet change means to you.
So what do you want exactly? 100% raw? 90%? 75%? Why this number?
Why do you want to do it? What are your reasons for wanting to go raw in the first place? Write them down. Writing it down produces another result than just thinking of it. Brainstorm for a while. When I did it, I had over 20 reasons to go raw.
It helps to make it clear to yourself why you want to do it. Look at your reasons and ask yourself which one of them is the main reason, the most important one. Please don't listen to what your mind says. Your mind will pick the most "sensible" reason, the one you think should be the most important one. But that's not necessarily the one that most resonates with you deep down. Listen to your guts, because the day you have a serious craving and are about to give up, reminding yourself of your emotional main reason might save you. Reminding yourself of your logical main reason won't do much for you.
What does going raw mean to you? Is it strictly a health matter, or does it have another signification?
What does food in general mean to you? What is your relationship to cooked food? When and why do you eat exactly?
Who are you as a person? What's your life purpose? What are your core values? How does eating raw fit in?
Can you imagine yourself as a raw fooder? Have you thought of all the negative consequences of going raw? Look at them boldly, and compare with your reasons for wanting to go raw. Do you still really want to go raw?
Know all this and you won't need self-discipline.
Willingness to change
If you want to go raw, you have to welcome change in your life. Even if you choose to cut the cooked food out of your diet very gradually - there's still a point of no return where you'll have to go cold turkey at least for those foods that are addictive (like sugar, grains, meat or dairy). This WILL be a shock.
Going raw will completely mess with your life. Not only will you have to eat different foods, with all the social consequences of that, you'll also experience physical, mental and emotional changes. All raw fooders I know of report an increase in energy, creativity and clarity of mind after going raw. If you're overweight, you'll lose weight. You'll have to find a way to deal with these changes. We are what we eat. On raw foods, you will become another person entirely.
To go raw, you need to welcome this new person. If you're someone who's very uncomfortable with too radical change, you have a problem. You'll need to let go of control, let go of your identification with who you are currently being, and trust that you are safe.
Courage
Jumping into the Unknown like this requires some courage. Not much, it's not that terrible ;-) but yes, it's scary at first. I was scared, not knowing what was expecting me. I was especially scared to see my body melt and my weight drop dramatically, so much that I had to take a break. Don't worry, once you've been raw for a while, it's ok. You get used to this new food, to your new habits, your new body and your new personality and won't need any courage anymore. But at first, yes, you need some courage to jump off the cliff.
Curiosity and Strategic thinking
Absolute clarity, the willingness to change, and courage at the beginning, this is what I personally find most important for those who want to go raw. Of course it also helps to be curious, because it'll make experimenting with new foods more fun. And if you enjoy strategic thinking, that's even better. It helps to think of it like a game or a war and to make plans to beat the opponent! But I'll talk about this in my next post, as this one was more about what it takes mentally to go raw, and less about concrete strategies to do so.
I'll share a few practical tips in my next post. If you follow them, you definitely won't need self-discipline.
Have a wonderful day!
I completely lack self-discipline. I hate self-discipline. If it took self-discipline to go raw, I'd never have done it.
So what does it take to go raw?
Clarity
Most of all, clarity, clarity, and clarity. If you want to go raw, it really helps to know exactly what you want, why you want it, who you are and what this diet change means to you.
So what do you want exactly? 100% raw? 90%? 75%? Why this number?
Why do you want to do it? What are your reasons for wanting to go raw in the first place? Write them down. Writing it down produces another result than just thinking of it. Brainstorm for a while. When I did it, I had over 20 reasons to go raw.
It helps to make it clear to yourself why you want to do it. Look at your reasons and ask yourself which one of them is the main reason, the most important one. Please don't listen to what your mind says. Your mind will pick the most "sensible" reason, the one you think should be the most important one. But that's not necessarily the one that most resonates with you deep down. Listen to your guts, because the day you have a serious craving and are about to give up, reminding yourself of your emotional main reason might save you. Reminding yourself of your logical main reason won't do much for you.
What does going raw mean to you? Is it strictly a health matter, or does it have another signification?
What does food in general mean to you? What is your relationship to cooked food? When and why do you eat exactly?
Who are you as a person? What's your life purpose? What are your core values? How does eating raw fit in?
Can you imagine yourself as a raw fooder? Have you thought of all the negative consequences of going raw? Look at them boldly, and compare with your reasons for wanting to go raw. Do you still really want to go raw?
Know all this and you won't need self-discipline.
Willingness to change
If you want to go raw, you have to welcome change in your life. Even if you choose to cut the cooked food out of your diet very gradually - there's still a point of no return where you'll have to go cold turkey at least for those foods that are addictive (like sugar, grains, meat or dairy). This WILL be a shock.
Going raw will completely mess with your life. Not only will you have to eat different foods, with all the social consequences of that, you'll also experience physical, mental and emotional changes. All raw fooders I know of report an increase in energy, creativity and clarity of mind after going raw. If you're overweight, you'll lose weight. You'll have to find a way to deal with these changes. We are what we eat. On raw foods, you will become another person entirely.
To go raw, you need to welcome this new person. If you're someone who's very uncomfortable with too radical change, you have a problem. You'll need to let go of control, let go of your identification with who you are currently being, and trust that you are safe.
Courage
Jumping into the Unknown like this requires some courage. Not much, it's not that terrible ;-) but yes, it's scary at first. I was scared, not knowing what was expecting me. I was especially scared to see my body melt and my weight drop dramatically, so much that I had to take a break. Don't worry, once you've been raw for a while, it's ok. You get used to this new food, to your new habits, your new body and your new personality and won't need any courage anymore. But at first, yes, you need some courage to jump off the cliff.
Curiosity and Strategic thinking
Absolute clarity, the willingness to change, and courage at the beginning, this is what I personally find most important for those who want to go raw. Of course it also helps to be curious, because it'll make experimenting with new foods more fun. And if you enjoy strategic thinking, that's even better. It helps to think of it like a game or a war and to make plans to beat the opponent! But I'll talk about this in my next post, as this one was more about what it takes mentally to go raw, and less about concrete strategies to do so.
I'll share a few practical tips in my next post. If you follow them, you definitely won't need self-discipline.
Have a wonderful day!
viernes, 13 de junio de 2008
Don't Go to the Gym!
I've found the ultimate exercise: gardening. That's what I'm doing daily at the moment, my mother is late with her garden and needs some help.
Gardening is fantastic! It's a versatile activity, you have to perform many different tasks, walking, pushing, pulling, pecking, bending down, stretching, carrying heavy things... You train all muscle groups, I can tell! I'm permanently having sore muscles just everywhere, from the neck to the feet, even in places I didn't think I had muscles... including in my fingers! Have you ever felt the muscles in your fingers at the gym?
Gardening also trains coordination, you have to manipulate things more subtly than you do with a few dumbbells. And it'll increase your stamina. After a while of cleaning your garden, you'll feel your heart work seriously, I assure you. So it's an all-round training, encompassing cardio, muscle building and coordination.
Another benefit: you get sunlight and fresh air. That's much better than to be caged in a room with artificial light and conditioned air smelling like plastic. We need sunlight and fresh air, just like we need to move. It's vital.
Not to forget the greatest benefit: you nourish yourself with your work. You get to eat the delicious organic things you have grown yourself.
I find it really strange and a bit funny to drive to the gym with a car, do some exercise there, come back with the car, and then buy some fruit and veggies, maybe even expensive organic things because they're healthier or more ethical. You pay to exercise, then you pay to eat. Why not exercise in your garden and eat the result of your exercise? You'd save the money for the gym, and the money for the food.
As for the energy, isn't it a big waste to use a lot of gas and pollute the environment with your car in order to go spend a lot of time and energy on some machines with no other purpose and no other result than to do so for its own sake... and then to need someone else to provide you with food?
If I were a gym owner, I'd use all these machines to at least produce some electricity. Imagine all these people in all these gyms all over the country, pushing, pulling and lifting all day long, imagine how much energy gets just wasted this way! No really, what a pity.
Gardening not only is a reasonable, ethical and healthy way to exercise, it's also a fun activity. I never get bored when I'm in the garden! I'd love to have my own and to grow lots of greens and berries in it.
Gardening also strengthens our connection to Nature, that many of us have unfortunately lost.
It can even have a meditative aspect. I always use it as an excellent opportunity to practice present moment awareness, focus on what I'm doing and let go of all thoughts. I feel very peaceful when I'm gardening.
And when you get hungry while working out, you can just eat the next right thing in front of you. Can you eat your dumbbells?
Gardening is fantastic! It's a versatile activity, you have to perform many different tasks, walking, pushing, pulling, pecking, bending down, stretching, carrying heavy things... You train all muscle groups, I can tell! I'm permanently having sore muscles just everywhere, from the neck to the feet, even in places I didn't think I had muscles... including in my fingers! Have you ever felt the muscles in your fingers at the gym?
Gardening also trains coordination, you have to manipulate things more subtly than you do with a few dumbbells. And it'll increase your stamina. After a while of cleaning your garden, you'll feel your heart work seriously, I assure you. So it's an all-round training, encompassing cardio, muscle building and coordination.
Another benefit: you get sunlight and fresh air. That's much better than to be caged in a room with artificial light and conditioned air smelling like plastic. We need sunlight and fresh air, just like we need to move. It's vital.
Not to forget the greatest benefit: you nourish yourself with your work. You get to eat the delicious organic things you have grown yourself.
I find it really strange and a bit funny to drive to the gym with a car, do some exercise there, come back with the car, and then buy some fruit and veggies, maybe even expensive organic things because they're healthier or more ethical. You pay to exercise, then you pay to eat. Why not exercise in your garden and eat the result of your exercise? You'd save the money for the gym, and the money for the food.
As for the energy, isn't it a big waste to use a lot of gas and pollute the environment with your car in order to go spend a lot of time and energy on some machines with no other purpose and no other result than to do so for its own sake... and then to need someone else to provide you with food?
If I were a gym owner, I'd use all these machines to at least produce some electricity. Imagine all these people in all these gyms all over the country, pushing, pulling and lifting all day long, imagine how much energy gets just wasted this way! No really, what a pity.
Gardening not only is a reasonable, ethical and healthy way to exercise, it's also a fun activity. I never get bored when I'm in the garden! I'd love to have my own and to grow lots of greens and berries in it.
Gardening also strengthens our connection to Nature, that many of us have unfortunately lost.
It can even have a meditative aspect. I always use it as an excellent opportunity to practice present moment awareness, focus on what I'm doing and let go of all thoughts. I feel very peaceful when I'm gardening.
And when you get hungry while working out, you can just eat the next right thing in front of you. Can you eat your dumbbells?
miércoles, 14 de mayo de 2008
Beautiful Tibetan Songs
I'd like to share with you some of my favorite Tibetan songs. They're so beautiful. Don't expect meditating monks though - this is contemporary stuff.
What I noticed first is that there are many songs about the Land of Snows, its identity and its political situation. This one is a very beautiful example. Can't stand watching the images though :( Many youtube comments also reflect the current tensions, like those to this song. This one is the first Tibetan song I discovered.
A few months ago I was sitting in front of my computer doing I don't remember what, when suddenly I heard a voice in my head clearly and distinctly saying "Tibet, music". So I typed exactly this into youtube and found this song. I loved it immediately. I had never heard of Tibetan music before, and was amazed to discover how many great artists and wonderful songs there are!
My absolute favorite Singer is Om Amchok. I love his velvety voice.
My favorite song is called Ngapcho Ngachu, which means "1959", year of the Tibetan uprising. If you like it, also listen to Kyoway Mikchu and Dhel Sem Rolmoe. Om Amchok lives in exile in Canada. You'll find more info about him as well as his newest songs on his MySpace profile.
This here is interesting to watch for westerners. It's a concert with four singers and a colorful choreography in the background. I like it very much.
One of the singers in the previous video is Kunga, his songs are wonderful. Listen to Yi Re Kyo, it's deeply touching. Metok Karpo is another one of my favorites. If you like Kunga, there are many beautiful songs by him on youtube, like Waiting for mother, Drenlu, or Ama. Ama means Mother if I understood it correctly.
Here a very beautiful one by Yadon featuring Kunga: Bashe.
I love Yadon's songs too, especially Kyabjuk and Penchen Gyalwa Mi Sung. He wrote a mother song too, Makye Ama, and a particularly inspiring love song, Rigzin Wangmo.
Here we have another impressive choreography, and a very powerful, terrific song: Gangchen Pa by Drolma Kyab. What a cool guy. Windhorse is another great song. And here's a very nice one: Kyo Shay. Feel the freedom?
I also like a few of Tsering Gyurmey's creations, like Shidey Nyima and Gyatsoe Ting Gyi Norbu. And Khu Sim Sim, I suppose it's a love story with a sad ending? Hey Sonam is light, nice and sounds more like dance music.
If you enjoy such songs, you'll probably like Phurbu T. Namgyal. He lives in the USA and his music sounds way more like happy pop. Here's Kyo Lhang Lhang, Chak Sum Tsel and Nyam Du Dro. Good to dance to!
I always have to dance to this one: it's Kharag Penpa Tsering, Len Chik. This song gives me such strong movement impulses that my body just begins to jiggle and hop. Would love to dance tango to that one!
To finish with something peaceful, here is Techung. His style is more traditional. My favorites songs: Bho Bhang Kyo Lhu, Nyi Lam Nang, Losar, and Land Of Snows.
If you're interested in more Tibetan music, check tibetlink and jigdo's profile on youtube.
May Tibet find Peace and Freedom.
What I noticed first is that there are many songs about the Land of Snows, its identity and its political situation. This one is a very beautiful example. Can't stand watching the images though :( Many youtube comments also reflect the current tensions, like those to this song. This one is the first Tibetan song I discovered.
A few months ago I was sitting in front of my computer doing I don't remember what, when suddenly I heard a voice in my head clearly and distinctly saying "Tibet, music". So I typed exactly this into youtube and found this song. I loved it immediately. I had never heard of Tibetan music before, and was amazed to discover how many great artists and wonderful songs there are!
My absolute favorite Singer is Om Amchok. I love his velvety voice.
My favorite song is called Ngapcho Ngachu, which means "1959", year of the Tibetan uprising. If you like it, also listen to Kyoway Mikchu and Dhel Sem Rolmoe. Om Amchok lives in exile in Canada. You'll find more info about him as well as his newest songs on his MySpace profile.
This here is interesting to watch for westerners. It's a concert with four singers and a colorful choreography in the background. I like it very much.
One of the singers in the previous video is Kunga, his songs are wonderful. Listen to Yi Re Kyo, it's deeply touching. Metok Karpo is another one of my favorites. If you like Kunga, there are many beautiful songs by him on youtube, like Waiting for mother, Drenlu, or Ama. Ama means Mother if I understood it correctly.
Here a very beautiful one by Yadon featuring Kunga: Bashe.
I love Yadon's songs too, especially Kyabjuk and Penchen Gyalwa Mi Sung. He wrote a mother song too, Makye Ama, and a particularly inspiring love song, Rigzin Wangmo.
Here we have another impressive choreography, and a very powerful, terrific song: Gangchen Pa by Drolma Kyab. What a cool guy. Windhorse is another great song. And here's a very nice one: Kyo Shay. Feel the freedom?
I also like a few of Tsering Gyurmey's creations, like Shidey Nyima and Gyatsoe Ting Gyi Norbu. And Khu Sim Sim, I suppose it's a love story with a sad ending? Hey Sonam is light, nice and sounds more like dance music.
If you enjoy such songs, you'll probably like Phurbu T. Namgyal. He lives in the USA and his music sounds way more like happy pop. Here's Kyo Lhang Lhang, Chak Sum Tsel and Nyam Du Dro. Good to dance to!
I always have to dance to this one: it's Kharag Penpa Tsering, Len Chik. This song gives me such strong movement impulses that my body just begins to jiggle and hop. Would love to dance tango to that one!
To finish with something peaceful, here is Techung. His style is more traditional. My favorites songs: Bho Bhang Kyo Lhu, Nyi Lam Nang, Losar, and Land Of Snows.
If you're interested in more Tibetan music, check tibetlink and jigdo's profile on youtube.
May Tibet find Peace and Freedom.
lunes, 4 de febrero de 2008
Baroque Music I - Vivaldi
Guess what my computer's name is? It's Antonio, in honor of Antonio Vivaldi. I love Vivaldi. He's amazing, he's got such a power! Listen to that BOMB. So much energy, so much life! There is just everything in his music. Sometimes he's melancholic, sometimes playful and light. He's painfully sensitive at times, he can be deeply sad, express desolate sorrow, and also sound upbeat and joyous. He's enthusiastic, exuberant, funny and a bit crazy.
He's just beautiful.
I have a burning passion for baroque music in general, and Vivaldi especially. Since one post would not be enough to cover baroque anyway, I'm just going to start with him.
If you don't know this kind of music yet, please take your time and concentrate when you listen to it. You'll probably need a while to get used to it and notice how beautiful it is. At least that's what most people say. I don't know, I fell for baroque within two minutes when I first heard it.
The Four Seasons
You probably know his most famous work, The Four Seasons, even if you don't know that you know it. It's so famous that you can even hear it as background music in the supermarket from time to time, at least in France. Here's the beginning, it'll seem familiar to you: La Primavera (Spring).
There are many different interpretations of this work, this one was Nigel Kennedy. Here another piece, conducted by Fabio Biondi: L'Invierno (Winter). Isn't that totally powerful?
And this one is just amazing! Nigel Kennedy again. Listen to that energy, to that tremendous force! L'Estate (Summer).
On a side note, this last piece inspired many modern musicians. For example here's a techno-remix by Vanessa Mae, and that's Jean-Michel Jarre's version.
Instrumental music
So what did Vivaldi write besides supermarket music? Among other things, a lot of instrumental music. Some nasty people say he wrote the same concerto a thousand times. ;) He mostly wrote lots of concerti indeed, with or without a solo instrument. The Four Seasons are concerti too. Here just a few more.
His concerti generally have three parts: the first one fast, the second one slower and more contemplative, or even sad, and the third one fast again, shorter and brighter than the first one.
This violin concerto is one of the most famous ones. Here the version by Nigel Kennedy (solo violin) and Berlin Philharmoniker:
Part one, Allegro (Allegro = cheerful, lively)
Part two, Largo (Largo = slow) Listen how sensitive and melancholic....
Part three, Presto (Presto = quick, fast) The final firework!
You'll find more nice concerti to listen to later at the bottom of the page, if you like that stuff. I want you to listen to the rest first, before you reach the saturation point.
Vocal music
His vocal music is what I love most about Vivaldi. I'm a fervent fan of baroque singing, and what he created is just amazing. There are operas and other pieces with secular topics, but in my eyes his religious music is the most beautiful ever. Listening to it is for me an extremely intensive and exhalting experience.
I was very lucky to find several nice versions of the aria Cum Dederit on youtube. That's a part of the motet Nisi Dominus and one of my favorite arias ever. In this one, Cum Dederit and Amen are sung by Philippe Jaroussky, a great countertenor. I love this wonderful guy, and I love the Ensemble Matheus and conductor Jean-Christophe Spinosi. It's simple, I'm in HEAVEN when I hear that!!!
Philippe Jaroussky, Cum Dederit, Amen
What you heard in the second part of the previous video is the beginning of Vivaldi's Stabat Mater. It's basically about Maria's pain when she must see her son die on the cross, so it's very sad, and that's why the singer Marie-Nicole Lemieux looks like she's suffering so much. I love the Stabat Mater! Here are two small extracts of Andreas Scholl, another countertenor, singing it. If I'm not wrong, it's with Chiara Banchini and her Ensemble 415, in case you want to buy the CD:
Andreas Scholl, Stabat Mater Dolorosa
Andreas Scholl, O Quam Tristis (which means "oh how sad")
Vivaldi also wrote some choral music. His Gloria is a mix of chorals and arias for one or two singers. This very CD with Alessandrini as conductor is the first bit of baroque music I discovered and it was a revelation. I heard it and fell in love immediately.
Gloria
Gloria, choral.
Here an extract of another version, in my opinion not so good, but just for you to hear an aria:
Gloria, Laudamus Te
You also have to hear some opera. Listen to Philippe Jaroussky in this fantastic aria, isn't he absolutely wonderful?!
And in that one, he's playing a singers fight together with Marie-Nicole Lemieux, that's SO funny, I LOL every time I watch it: Nel Profondo modified.
Well, that's my Vivaldi. If you like it, here's more material:
More singing
Here the same extracts of Nisi Dominus as above, this time sung by Andreas Scholl with the Australian Brandenbourg Orchestra & Paul Dyer:
Andreas Scholl, Cum Dederit
Andreas Scholl, Amen
I had this CD and absolutely loved it, but someone borrowed it and never gave it back, and of course I don't remember who that was, since I give my things away all the time.
And here's the complete Nisi Dominus by Sara Mingardo, with the Concerto Italiano & Rinaldo Alessandrini. Part two begins with the aria Cum Dederit that we've already listened to twice. It's very interesting to compare the versions!
Nisi Dominus, Part one
Nisi Dominus, Part two
Nisi Dominus, Part three
If you liked Sara Mingardo, the Concerto Italiano & Rinaldo Alessandrini, I found two more complete CDs:
Here's more choral singing: Magnificat. Wonderful, especially in part two the aria Esurientes. I loooove it. Listen to it very loud!
Magnificat, Part one
Magnificat, Part two
And here's a Salve Regina.
Salve Regina, Part one
Salve Regina, Part two
Salve Regina, Part three
More Concerti
This one is very nice: Concerto for 4 violins and strings (Europa Galante & Fabio Biondi).
Here a peaceful Concerto for Lute (Il Giardino Armonico & Giovanni Antonini).
This one with mandolin is so beautiful! (even though I would have played the second part much slower) : Concerto in C Major (Il Giardino Armonico & Giovanni Antonini).
I find this one heavy, suffering, and in the third part conquering and forceful. A darker side of Vivaldi. No matter how he feels, it's beautiful: Allegro - Largo - Allegro (Europa Galante & Fabio Biondi).
A light, fast and playful one: Concerto for strings "Alla rustica" (Europa Galante & Fabio Biondi).
What I love particulary are his concerti for cello. Here you have a very brilliant and elegant one: Allegro - Largo - Allegro (Europa Galante & Fabio Biondi). I don't know about you, but it makes me happy!
He's just beautiful.
I have a burning passion for baroque music in general, and Vivaldi especially. Since one post would not be enough to cover baroque anyway, I'm just going to start with him.
If you don't know this kind of music yet, please take your time and concentrate when you listen to it. You'll probably need a while to get used to it and notice how beautiful it is. At least that's what most people say. I don't know, I fell for baroque within two minutes when I first heard it.
The Four Seasons
You probably know his most famous work, The Four Seasons, even if you don't know that you know it. It's so famous that you can even hear it as background music in the supermarket from time to time, at least in France. Here's the beginning, it'll seem familiar to you: La Primavera (Spring).
There are many different interpretations of this work, this one was Nigel Kennedy. Here another piece, conducted by Fabio Biondi: L'Invierno (Winter). Isn't that totally powerful?
And this one is just amazing! Nigel Kennedy again. Listen to that energy, to that tremendous force! L'Estate (Summer).
On a side note, this last piece inspired many modern musicians. For example here's a techno-remix by Vanessa Mae, and that's Jean-Michel Jarre's version.
Instrumental music
So what did Vivaldi write besides supermarket music? Among other things, a lot of instrumental music. Some nasty people say he wrote the same concerto a thousand times. ;) He mostly wrote lots of concerti indeed, with or without a solo instrument. The Four Seasons are concerti too. Here just a few more.
His concerti generally have three parts: the first one fast, the second one slower and more contemplative, or even sad, and the third one fast again, shorter and brighter than the first one.
This violin concerto is one of the most famous ones. Here the version by Nigel Kennedy (solo violin) and Berlin Philharmoniker:
Part one, Allegro (Allegro = cheerful, lively)
Part two, Largo (Largo = slow) Listen how sensitive and melancholic....
Part three, Presto (Presto = quick, fast) The final firework!
You'll find more nice concerti to listen to later at the bottom of the page, if you like that stuff. I want you to listen to the rest first, before you reach the saturation point.
Vocal music
His vocal music is what I love most about Vivaldi. I'm a fervent fan of baroque singing, and what he created is just amazing. There are operas and other pieces with secular topics, but in my eyes his religious music is the most beautiful ever. Listening to it is for me an extremely intensive and exhalting experience.
I was very lucky to find several nice versions of the aria Cum Dederit on youtube. That's a part of the motet Nisi Dominus and one of my favorite arias ever. In this one, Cum Dederit and Amen are sung by Philippe Jaroussky, a great countertenor. I love this wonderful guy, and I love the Ensemble Matheus and conductor Jean-Christophe Spinosi. It's simple, I'm in HEAVEN when I hear that!!!
Philippe Jaroussky, Cum Dederit, Amen
What you heard in the second part of the previous video is the beginning of Vivaldi's Stabat Mater. It's basically about Maria's pain when she must see her son die on the cross, so it's very sad, and that's why the singer Marie-Nicole Lemieux looks like she's suffering so much. I love the Stabat Mater! Here are two small extracts of Andreas Scholl, another countertenor, singing it. If I'm not wrong, it's with Chiara Banchini and her Ensemble 415, in case you want to buy the CD:
Andreas Scholl, Stabat Mater Dolorosa
Andreas Scholl, O Quam Tristis (which means "oh how sad")
Vivaldi also wrote some choral music. His Gloria is a mix of chorals and arias for one or two singers. This very CD with Alessandrini as conductor is the first bit of baroque music I discovered and it was a revelation. I heard it and fell in love immediately.
Gloria
Gloria, choral.
Here an extract of another version, in my opinion not so good, but just for you to hear an aria:
Gloria, Laudamus Te
You also have to hear some opera. Listen to Philippe Jaroussky in this fantastic aria, isn't he absolutely wonderful?!
And in that one, he's playing a singers fight together with Marie-Nicole Lemieux, that's SO funny, I LOL every time I watch it: Nel Profondo modified.
Well, that's my Vivaldi. If you like it, here's more material:
More singing
Here the same extracts of Nisi Dominus as above, this time sung by Andreas Scholl with the Australian Brandenbourg Orchestra & Paul Dyer:
Andreas Scholl, Cum Dederit
Andreas Scholl, Amen
I had this CD and absolutely loved it, but someone borrowed it and never gave it back, and of course I don't remember who that was, since I give my things away all the time.
And here's the complete Nisi Dominus by Sara Mingardo, with the Concerto Italiano & Rinaldo Alessandrini. Part two begins with the aria Cum Dederit that we've already listened to twice. It's very interesting to compare the versions!
Nisi Dominus, Part one
Nisi Dominus, Part two
Nisi Dominus, Part three
If you liked Sara Mingardo, the Concerto Italiano & Rinaldo Alessandrini, I found two more complete CDs:
Here's more choral singing: Magnificat. Wonderful, especially in part two the aria Esurientes. I loooove it. Listen to it very loud!
Magnificat, Part one
Magnificat, Part two
And here's a Salve Regina.
Salve Regina, Part one
Salve Regina, Part two
Salve Regina, Part three
More Concerti
This one is very nice: Concerto for 4 violins and strings (Europa Galante & Fabio Biondi).
Here a peaceful Concerto for Lute (Il Giardino Armonico & Giovanni Antonini).
This one with mandolin is so beautiful! (even though I would have played the second part much slower) : Concerto in C Major (Il Giardino Armonico & Giovanni Antonini).
I find this one heavy, suffering, and in the third part conquering and forceful. A darker side of Vivaldi. No matter how he feels, it's beautiful: Allegro - Largo - Allegro (Europa Galante & Fabio Biondi).
A light, fast and playful one: Concerto for strings "Alla rustica" (Europa Galante & Fabio Biondi).
What I love particulary are his concerti for cello. Here you have a very brilliant and elegant one: Allegro - Largo - Allegro (Europa Galante & Fabio Biondi). I don't know about you, but it makes me happy!
martes, 8 de enero de 2008
Dealing with Emotions
Do you feel overwhelmed by your feelings sometimes? Is it difficult for you to react to strong emotions in an appropriate manner? Don't you know how to stop feeling bad? That's a problem I've had for a long, long time. I found a few useful ways to handle it and thought it could be of some value for you to hear about them.
Taking 100% responsibility
First of all, what helped me most is to understand that it's never the other person or the situation itself that creates my emotion: it's my thoughts about this person or situation. We don't all have the same reaction when in the same situation. It's the thoughts and judgments we have about this situation that lead us to have the feelings we have.
This means that no situation and no other person has any power over how I feel. Everything I feel is 100% my own responsibility. The downside is that I can't blame anyone else for what I feel anymore, 'cause what I feel is caused by nothing else than my own thoughts. It's all me. The upside is that I'm in control: by changing my thoughts, I can change my feelings. And another upside is that I'm not forced to react to a given situation in a certain way. I'm free to react just like I want to. It's my choice.
(Edit: more details about this here: Your Feelings are Self-Made)
The old stinky sneaker
One very simple way to apply this elementar wisdom is the old stinky sneaker image. I can't remember if I invented that image myself or read about it somewhere. It doesn't matter. Imagine you're in a given situation and you feel a strong emotion you'd rather not have. For example, someone is insulting you, and you feel angry. Now imagine that this person insulting you is throwing an old, stinky sneaker at your feet. You're free to put that old shoe on, or not. You can put it on, and feel stinky (angry). Or you can let it lie where it is. And feel good. You're not forced to react to the insults. It's your choice.
Visualizing this old sneaker in every unpleasant situation helps me a lot! I just imagine myself saying "No, thanks!" to the person or situation throwing this old shoe at my feet, and then just going away. I'm not forced to put the old shoe on and feel bad. It makes me feel very free to choose consciously if I want to be perturbed at their shoe or not!
What about positive emotions?
Sometimes positive emotions overwhelm me too, and make me feel bad because it's just too much. It's more than I can express or bear inside of me without exploding. I had to find a better reaction than to dance around crying and laughing hysterically altogether. The old stinky sneaker trick helps me in that case too.
I wouldn't call beautiful, moving and happy situations an old stinky sneaker, so I found another image: imagine that the person or situation is smiling at you and handing you a big, gorgeous chocolate cake with whipped cream and cherries on the top of it (or some other cake you like). Eating the entire cake would be too much, obviously. So tell this person or situation "Oh, thank you so much, that's very nice of you! I'll have a piece of it!" And then take only a small piece of the cake. You're not forced to swallow the whole cake. A small piece of this delicious cake is enough to make you happy.
When I use this cake image, I'm able to stay in control of myself and to allow strong positive emotions without being immediately overwhelmed by them.
What if "no thanks" doesn't work?
Sometimes a situation or statement bugs me so much that the old stinky sneaker doesn't work so really well. Just saying "No thanks" somehow is not a solution in that moment. Then I need to take a look at another aspect of feelings and emotions: they're but signals. They show you whether what you think about this person/statement/situation is currently positive or negative. In this respect, they're very useful. A positive feeling is the result of a positive thought. A negative feeling points to a negative thought. Here's a method to get rid of nasty emotions by getting rid of the negative thoughts that are producing them:
Identify the emotion //"oh, I'm feeling angry"
Try to be as precise as possible. Observe the emotion: is it anger, or hate, or are you upset?
Allow the emotion to be //"It's perfectly ok to be angry now. That's all right."
Accept your emotion and welcome it warmly.
Thank the emotion //"Thank you anger for being here and showing me that I'm having negative thoughts that are not profitable to me"
Aknowledge that your emotions are just a signal pointing to your thoughts.
Identify the thoughts //"ok, which thoughts are making me feel angry?"
This part can be difficult for you if you're not used to such exercises. Be patient, you'll get better with time. Maybe it can help you to write your thoughts down. Allow any thought to pop into your mind, even if it sounds ridiculous or childish.
Let the emotion go //"Thanks anger, I don't need you anymore now, go in peace"
Now that you're aware of your underlying thought, you don't need the signal anymore.
Change the thoughts //"Which thought would feel better than that?"
Now look for a thought that would feel a bit better right now. It doesn't have to be realistic, or true. It can be complete nonsense, imaginary or a lie, that's not important. Important is only that when you think this thought, you feel a bit better. Concentrate on the new thought for about twenty seconds. You'll feel better. Then look for another thought that feels even better and concentrate on it for twenty seconds again. And so on.
If you practice this method a bit, you'll notice that you're always able to choose how you feel by deliberately thinking thoughts that make you feel this way. It doesn't just happen to you. You have full control over how you feel, because you have full control over what you think.
What if I can't identify any thoughts?
This happens to me when confronted to very strong emotions. In such a case the physical symptoms are so overwhelming that there are just no thoughts. At least no thoughts I could be aware of. Recently I was looking for nice tibetan songs on youtube and by mistake saw a horrible video where some animals were being killed. I felt so bad that I almost vomited. My chest was burning, I was crying and sweating. The emotion was so strong that the intellectual approach above would not have helped me. More precisely, I wouldn't have been able to apply it.
In such cases I use EFT. EFT, Emotional Freedom Technique, is a very powerful way to deal with emotions. It's easy and fast to learn, it works quickly and it's highly efficient. EFT is a more physical approach of the problem. It can be used to cure physical pain too, btw.
The principle is that a negative emotion is a blockade in your energy system. By tapping some energetic points on your body while focusing on your problem, you remove the blockade and teach your body to let the energy flow even when you think of this problem. It won't solve the problem itself. But you'll feel good even when confronted to that problem again. After this youtube accident, these images were pursueing me. I tapped it every time it came up. I had to do it 3-4 times a day for a few days. But now I can think of that video without having any bad emotions.
I highly recommend EFT to everyone. If you're interested, look at eft-therapy.com. There are infos about the theory behind EFT, a nice free tutorial for beginners, and a lot more.
Taking 100% responsibility
First of all, what helped me most is to understand that it's never the other person or the situation itself that creates my emotion: it's my thoughts about this person or situation. We don't all have the same reaction when in the same situation. It's the thoughts and judgments we have about this situation that lead us to have the feelings we have.
This means that no situation and no other person has any power over how I feel. Everything I feel is 100% my own responsibility. The downside is that I can't blame anyone else for what I feel anymore, 'cause what I feel is caused by nothing else than my own thoughts. It's all me. The upside is that I'm in control: by changing my thoughts, I can change my feelings. And another upside is that I'm not forced to react to a given situation in a certain way. I'm free to react just like I want to. It's my choice.
(Edit: more details about this here: Your Feelings are Self-Made)
The old stinky sneaker
One very simple way to apply this elementar wisdom is the old stinky sneaker image. I can't remember if I invented that image myself or read about it somewhere. It doesn't matter. Imagine you're in a given situation and you feel a strong emotion you'd rather not have. For example, someone is insulting you, and you feel angry. Now imagine that this person insulting you is throwing an old, stinky sneaker at your feet. You're free to put that old shoe on, or not. You can put it on, and feel stinky (angry). Or you can let it lie where it is. And feel good. You're not forced to react to the insults. It's your choice.
Visualizing this old sneaker in every unpleasant situation helps me a lot! I just imagine myself saying "No, thanks!" to the person or situation throwing this old shoe at my feet, and then just going away. I'm not forced to put the old shoe on and feel bad. It makes me feel very free to choose consciously if I want to be perturbed at their shoe or not!
What about positive emotions?
Sometimes positive emotions overwhelm me too, and make me feel bad because it's just too much. It's more than I can express or bear inside of me without exploding. I had to find a better reaction than to dance around crying and laughing hysterically altogether. The old stinky sneaker trick helps me in that case too.
I wouldn't call beautiful, moving and happy situations an old stinky sneaker, so I found another image: imagine that the person or situation is smiling at you and handing you a big, gorgeous chocolate cake with whipped cream and cherries on the top of it (or some other cake you like). Eating the entire cake would be too much, obviously. So tell this person or situation "Oh, thank you so much, that's very nice of you! I'll have a piece of it!" And then take only a small piece of the cake. You're not forced to swallow the whole cake. A small piece of this delicious cake is enough to make you happy.
When I use this cake image, I'm able to stay in control of myself and to allow strong positive emotions without being immediately overwhelmed by them.
What if "no thanks" doesn't work?
Sometimes a situation or statement bugs me so much that the old stinky sneaker doesn't work so really well. Just saying "No thanks" somehow is not a solution in that moment. Then I need to take a look at another aspect of feelings and emotions: they're but signals. They show you whether what you think about this person/statement/situation is currently positive or negative. In this respect, they're very useful. A positive feeling is the result of a positive thought. A negative feeling points to a negative thought. Here's a method to get rid of nasty emotions by getting rid of the negative thoughts that are producing them:
Identify the emotion //"oh, I'm feeling angry"
Try to be as precise as possible. Observe the emotion: is it anger, or hate, or are you upset?
Allow the emotion to be //"It's perfectly ok to be angry now. That's all right."
Accept your emotion and welcome it warmly.
Thank the emotion //"Thank you anger for being here and showing me that I'm having negative thoughts that are not profitable to me"
Aknowledge that your emotions are just a signal pointing to your thoughts.
Identify the thoughts //"ok, which thoughts are making me feel angry?"
This part can be difficult for you if you're not used to such exercises. Be patient, you'll get better with time. Maybe it can help you to write your thoughts down. Allow any thought to pop into your mind, even if it sounds ridiculous or childish.
Let the emotion go //"Thanks anger, I don't need you anymore now, go in peace"
Now that you're aware of your underlying thought, you don't need the signal anymore.
Change the thoughts //"Which thought would feel better than that?"
Now look for a thought that would feel a bit better right now. It doesn't have to be realistic, or true. It can be complete nonsense, imaginary or a lie, that's not important. Important is only that when you think this thought, you feel a bit better. Concentrate on the new thought for about twenty seconds. You'll feel better. Then look for another thought that feels even better and concentrate on it for twenty seconds again. And so on.
If you practice this method a bit, you'll notice that you're always able to choose how you feel by deliberately thinking thoughts that make you feel this way. It doesn't just happen to you. You have full control over how you feel, because you have full control over what you think.
What if I can't identify any thoughts?
This happens to me when confronted to very strong emotions. In such a case the physical symptoms are so overwhelming that there are just no thoughts. At least no thoughts I could be aware of. Recently I was looking for nice tibetan songs on youtube and by mistake saw a horrible video where some animals were being killed. I felt so bad that I almost vomited. My chest was burning, I was crying and sweating. The emotion was so strong that the intellectual approach above would not have helped me. More precisely, I wouldn't have been able to apply it.
In such cases I use EFT. EFT, Emotional Freedom Technique, is a very powerful way to deal with emotions. It's easy and fast to learn, it works quickly and it's highly efficient. EFT is a more physical approach of the problem. It can be used to cure physical pain too, btw.
The principle is that a negative emotion is a blockade in your energy system. By tapping some energetic points on your body while focusing on your problem, you remove the blockade and teach your body to let the energy flow even when you think of this problem. It won't solve the problem itself. But you'll feel good even when confronted to that problem again. After this youtube accident, these images were pursueing me. I tapped it every time it came up. I had to do it 3-4 times a day for a few days. But now I can think of that video without having any bad emotions.
I highly recommend EFT to everyone. If you're interested, look at eft-therapy.com. There are infos about the theory behind EFT, a nice free tutorial for beginners, and a lot more.
miércoles, 2 de enero de 2008
Dancing Tango Argentino
I HAVE to tell you about tango! I love dancing tango argentino. When I dance, I have a wonderful feeling of freedom and lightheartedness. I can express myself, express the music, express my feelings about the music and about my partner. That makes me so happy. Every time I dance tango, I feel in love :)
Please read my explanations before you watch the videos. It's important that you know a few things about tango before actually seeing it. If you don't know what's exactly going on, you might find it boring, or ridiculous. Only when you know what that really is will you see how amazing it is.
Tango, the music
Tango music is very beautiful. I'll write more in details about it later in another post, since I'd like to focus on the dance here.
Essentially, there are five music types you can dance tango argentino to:
traditional tango
vals: tango in 3/4
milonga: a related dance, generally faster and more down-to-earth than tango
electrotango: the "modern" tango with electronic instruments
non-tango: everything else :)
Tango can be danced to just everything that has a clear and regular rythm, from Vivaldi to Metallica via lebanese folksongs. My former teachers, who are very conservative, would kill me if they hear that (hope they'll never discover this blog), but I want to dance tango to just everything! Every time I hear a song I like, I immediately have some tango impulses going through my body, and imagine how I would dance tango to that now. Some people however (like my former teachers) categorically refuse to dance to non-tango, or even to electrotango.
You'll hear some examples in a moment.
Tango, the dance
What is tango argentino?
Tango argentino is essentially walking around together. One plays the leading role, the other one the following role. Traditionally "the man leads, the woman seduces". But that's changing nowadays. You'll find women dancing with women, men with men, and women leading men. What I would love to try is do both and switch roles several times during the dance :)
How does it work?
There are no fixed figures in tango argentino. The leaders have to improvise everything. They invent the dance in the very moment they dance it. And they have to lead everything. In some dances, when the leading person doesn't lead anything new, the following person just keeps on with the base step. That's different in tango argentino. There is no base step. When the leading person doesn't lead anything new, the following person does... nothing at all. Not even shift their weight from one foot to the other. Since everything is improvised, the following person never knows what comes next. Every step is unique, you don't know what the next one will be. That's very exciting!
How do the leaders lead?
With their chest. The chests communicate with each other. The leaders give move impulses with their chest, or open some space for the follower in a particular direction. The impulse the followers receive goes through their body into the legs, and since the legs are (ideally) totally relaxed, they just follow the law of gravitation and move.
That's why a high technical level is required, so that the impulses flow correctly. You mustn't lose the connection between the chests, or else leading becomes impossible. If you're having a bad posture, the energy can't flow correctly through your body, and you won't communicate well. If your back isn't straight, the impulses will get lost somewhere before they reach your legs. If your legs aren't relaxed enough, they won't move freely. As the leader, if your leading impulses aren't clear enough, the follower will perform unfinished, confused moves - or do something you didn't intend. It's all about communication!
Another aspect is that leading means giving impulses, no orders. It's just a proposition. The followers can block certain moves, they are no passive puppets. They have a great influence on the dance. And they use the leader's propositions to improvise as well. With the impulse they get, they're free to do whatever they want. If I get an impulse to move laterally, I can choose to move immediately and close my legs, or I can let one leg hang behind, or do fancy things with my feet along the way. I can slow down in the middle of my move, or even completely stop. The leader has to wait for me. There are thousands of ways you can go one single step. That's where many factors play a role, like your personality, your creativity, the music, the chemistry with your partner...
This very precise and very intensive communication with a partner on a physical, energetical level is an amazing experience!
What does it look like?
There are many different tango argentino styles, like tango nuevo, tango de salón... But if you're not familiar with tango, going into the details wouldn't make any sense here. (and if you are, you already know about that) When you'll watch the videos, you'll notice that some dancers always stand on their own axis, whereas others strongly lean against their partner. Some dance very close, in tight embrace, whereas others let a lot of free space between them. Some make wide moves or particular moves that others don't use. Everything is possible! It's a matter of style. But the elementar principles are the same.
Now that you know what tango is about (according to me), you will appreciate what you see much more. You may watch the videos now :)
Take a look at this one and bear in mind that everything is improvised, everything is lead. Isn't such a communication just amazing? The music is traditional tango, a very beautiful song called Poema (poem): Geraldine Rojas & Javier Rodrigues.
And now I'll show you El Indio, a very cool dancer, to give you an idea about how freely you can improvise and how many fun things you can do: El Indio plays around.
I promised I would give you examples of all music styles. Here you have an example of a milonga: Geraldine Rojas & Javier Rodrigues again. Listen, how fast and lively. And watch what he leads, at that incredible pace...
That's a vals: Adriana salgado y Orlando Reyes. I chose this one because I absolutely wanted you to hear Desde el Alma, that's one of my favorite songs.
And here we have some electrotango: Mariano "Chicho" Frúmboli & Eugenia Parilla. That's the kind of stuff I particularly love dancing to!
Last but not least, I even found a video with non-tango: Klaus Petritsch & Karen Garnett dance to Tom Jones.
As you could see, tango argentino is multifaceted. If you like it, take a look at these:
Here Geraldine Rojas again, with another partner. The video is a bit dark, I'm sorry, but the dance is brilliant: Geraldine Rojas & Ezequiel Paludi.
Finally you mustn't miss Carlos Gavito & Maria Plazaola. Sexy, huh?
So! Aren't you convinced, now, that tango argentino is incredibly fantastic?! Wanna dance with me? :)
Tango dancing parties are called milongas. Every milonga traditionally ends with a special song called La Cumparsita. To close this post, here you have a cumparsita.
I chose one with Eduardo Cappussi and Mariana Flores. They dance very well, but are also very good at performing tango parodies...
Eduardo Cappussi & Mariana Flores.
Please read my explanations before you watch the videos. It's important that you know a few things about tango before actually seeing it. If you don't know what's exactly going on, you might find it boring, or ridiculous. Only when you know what that really is will you see how amazing it is.
Tango, the music
Tango music is very beautiful. I'll write more in details about it later in another post, since I'd like to focus on the dance here.
Essentially, there are five music types you can dance tango argentino to:
traditional tango
vals: tango in 3/4
milonga: a related dance, generally faster and more down-to-earth than tango
electrotango: the "modern" tango with electronic instruments
non-tango: everything else :)
Tango can be danced to just everything that has a clear and regular rythm, from Vivaldi to Metallica via lebanese folksongs. My former teachers, who are very conservative, would kill me if they hear that (hope they'll never discover this blog), but I want to dance tango to just everything! Every time I hear a song I like, I immediately have some tango impulses going through my body, and imagine how I would dance tango to that now. Some people however (like my former teachers) categorically refuse to dance to non-tango, or even to electrotango.
You'll hear some examples in a moment.
Tango, the dance
What is tango argentino?
Tango argentino is essentially walking around together. One plays the leading role, the other one the following role. Traditionally "the man leads, the woman seduces". But that's changing nowadays. You'll find women dancing with women, men with men, and women leading men. What I would love to try is do both and switch roles several times during the dance :)
How does it work?
There are no fixed figures in tango argentino. The leaders have to improvise everything. They invent the dance in the very moment they dance it. And they have to lead everything. In some dances, when the leading person doesn't lead anything new, the following person just keeps on with the base step. That's different in tango argentino. There is no base step. When the leading person doesn't lead anything new, the following person does... nothing at all. Not even shift their weight from one foot to the other. Since everything is improvised, the following person never knows what comes next. Every step is unique, you don't know what the next one will be. That's very exciting!
How do the leaders lead?
With their chest. The chests communicate with each other. The leaders give move impulses with their chest, or open some space for the follower in a particular direction. The impulse the followers receive goes through their body into the legs, and since the legs are (ideally) totally relaxed, they just follow the law of gravitation and move.
That's why a high technical level is required, so that the impulses flow correctly. You mustn't lose the connection between the chests, or else leading becomes impossible. If you're having a bad posture, the energy can't flow correctly through your body, and you won't communicate well. If your back isn't straight, the impulses will get lost somewhere before they reach your legs. If your legs aren't relaxed enough, they won't move freely. As the leader, if your leading impulses aren't clear enough, the follower will perform unfinished, confused moves - or do something you didn't intend. It's all about communication!
Another aspect is that leading means giving impulses, no orders. It's just a proposition. The followers can block certain moves, they are no passive puppets. They have a great influence on the dance. And they use the leader's propositions to improvise as well. With the impulse they get, they're free to do whatever they want. If I get an impulse to move laterally, I can choose to move immediately and close my legs, or I can let one leg hang behind, or do fancy things with my feet along the way. I can slow down in the middle of my move, or even completely stop. The leader has to wait for me. There are thousands of ways you can go one single step. That's where many factors play a role, like your personality, your creativity, the music, the chemistry with your partner...
This very precise and very intensive communication with a partner on a physical, energetical level is an amazing experience!
What does it look like?
There are many different tango argentino styles, like tango nuevo, tango de salón... But if you're not familiar with tango, going into the details wouldn't make any sense here. (and if you are, you already know about that) When you'll watch the videos, you'll notice that some dancers always stand on their own axis, whereas others strongly lean against their partner. Some dance very close, in tight embrace, whereas others let a lot of free space between them. Some make wide moves or particular moves that others don't use. Everything is possible! It's a matter of style. But the elementar principles are the same.
Now that you know what tango is about (according to me), you will appreciate what you see much more. You may watch the videos now :)
Take a look at this one and bear in mind that everything is improvised, everything is lead. Isn't such a communication just amazing? The music is traditional tango, a very beautiful song called Poema (poem): Geraldine Rojas & Javier Rodrigues.
And now I'll show you El Indio, a very cool dancer, to give you an idea about how freely you can improvise and how many fun things you can do: El Indio plays around.
I promised I would give you examples of all music styles. Here you have an example of a milonga: Geraldine Rojas & Javier Rodrigues again. Listen, how fast and lively. And watch what he leads, at that incredible pace...
That's a vals: Adriana salgado y Orlando Reyes. I chose this one because I absolutely wanted you to hear Desde el Alma, that's one of my favorite songs.
And here we have some electrotango: Mariano "Chicho" Frúmboli & Eugenia Parilla. That's the kind of stuff I particularly love dancing to!
Last but not least, I even found a video with non-tango: Klaus Petritsch & Karen Garnett dance to Tom Jones.
As you could see, tango argentino is multifaceted. If you like it, take a look at these:
Here Geraldine Rojas again, with another partner. The video is a bit dark, I'm sorry, but the dance is brilliant: Geraldine Rojas & Ezequiel Paludi.
Finally you mustn't miss Carlos Gavito & Maria Plazaola. Sexy, huh?
So! Aren't you convinced, now, that tango argentino is incredibly fantastic?! Wanna dance with me? :)
Tango dancing parties are called milongas. Every milonga traditionally ends with a special song called La Cumparsita. To close this post, here you have a cumparsita.
I chose one with Eduardo Cappussi and Mariana Flores. They dance very well, but are also very good at performing tango parodies...
Eduardo Cappussi & Mariana Flores.
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